In many design schemes, only the high-gloss inner chamfer on the front of the keyboard and the logo above the arrow keys are retained. The golden high-gloss chamfer makes the overall visual effect more three-dimensional. The small crane head is integrated with the engraved and intaglio crane feathers. It becomes a particular visual focus, echoes the enamel on the back, and is more concise.

On the side, our design is inspired by the "corner cornices" of ancient Chinese buildings. Use a sizeable S-shaped curvature arc line to express the agility of this theme. Although such a curve will increase costs, we still add this brilliant and round arc to the design. This arc also adds a light and playful feel to the keyboard. At the same time, to echo the golden lines on the back, we use the coloring process to express the golden lines on the side.

We use the "round sky and place" in Chinese architecture as an idea to realize the square and circle in shape. Unlike the design on the side of the keyboard, the design on the back pursues a sharp, symmetrical, and soft visual perception. Wide and straight, round and full visual perception, this design idea fits the overall style very well, making the whole look harmonious and natural.

The enamel disc is the highlight of this work. The enamel disc leaning on the red sun combines landscape and cloud patterns. It appropriates the unique graceful curves of this demure and agile auspicious beast to this work. We chose the "Crane" as the design theme and used the complicated process of manual cloisonné enamel to realize the graceful figure of the "Crane,” to realize "Crane" standing at the forefront of the head of the tide.